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| HUGO ARMSTRONG <Back to Top> | ||||||||
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West Coast: Cold/Tender at the Boston Court, Couples Counseling at REDCAT theatre, Clyt at home with Ghost Road, Tousaisha at Theatre of NOTE and Carrots for Hare at The Powerhouse Theater. East Coast: Unseen Energy at the Kitchen, Onionheads at the Kennedy Center, Hapgood at Quantum Theatre, Antigone at the Firkin Crane, and A Midsummer Night's Dream with Trouble Theatre Group. Film: Safeway at MOCA, Variations at the Aramand Hammer Museum, Mice and Men with Group Pictures, Carrots for Hare with Charlie Films, and A Robots Tear with Piltdown Productions. He is a graduate of CalArts. |
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ROBERT PATRICK BRINK <Back to Top> |
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| RONNIE CLARK <Back to Top> | ||||||||
| CHRISTEL JOY JOHNSON <Back to Top> | ||||||||
Christel
Joy Johnson became a Ghost Road Company ensemble member after playing
the part of Electra in their 2007 production of "Orestes Remembered: The
Fury Project". After graduating from San Francisco State University with
a BA in Theatre Arts, she moved on to work with Arizona Shakespeare Festival.
Roles there included Olivia in "Twelfth Night", Lucius Andronicus in "Titus
Andronicus, Pistol in "The Merry Wives of Windsor", and Witch 1 in "Macbeth".
She has also been seen in LA based Moving Arts productions of "Infinite
Black Suitcase" and "The Car Plays". |
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| KATHARINE NOON <Back to Top> | ||||||||
Katharine
Noon is the co-founder and artistic director of the Ghost Road Company.
Projects include Elektra-La-La, (conceiver, writer, director), The Tempest
(adaptor, director) as well as collaborating with The Burglars of Hamm
to create Resa Fantastiskt Mystisk, (Backstage West Garland awards for
playwriting and acting and nominated for production of the year by the
LA Weekly). The Clytemnestra Project (conceiver, co-writer and director)
in collaboration with Theatre of NOTE. This play also performed at The
Common Ground Festival at UCLA and has been singled out as one of the
10 best plays of 2001 by the LA Weekly. The Clytemnestra Project recently
performed at the Ko Festival at Amherst College in July 2003. Katharine
co-wrote and performed in Ghost Road's, Excavate the Monster, which performed
at 24th Street Theatre in 2003. Katharine also directed and Co-wrote (with
Tamadhur Al-Aqeel) The Four Dervishes, which premiered at 24th Street
in 2004. Katharine is one of the Co-founders the Edge of the World Theater
Festival and sits on the national steering committee for NET (Network
of Ensemble Theaters). She is also on faculty in the Theatre Department
at Loyola Marymount University where she recently directed A Midsummer
Night's Dream. She is currently in rehearsals for a reading of a new short
play written by Jen Maisel as part of the Dog Ear Collective at 24th Street
Theatre. Katharine will also be presenting a workshop in Ghost Road's
ensemble techniques at the Network of Ensemble Theatre Festival at Dell'Arte
as part of a research grant for Katharine's adaptation of The Eumenides. |
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| LAURA PRUDEN <Back to Top> | ||||||||
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| MARK SELDIS <Back to Top> | ||||||||
| BRIAN WEIR <Back to Top> | ||||||||
For
Ghost Road: Orestes Remembered: The Fury Project, Four
Dervishes, Carrots for Hare, Sigismund, and the
Duck[t] Tape Soup workshop. Other LA Theatre includes: Zanna
Don’t, Floyd Collins, The Bungler, Cabaret, Company, And the World
Goes Round, Catch 22 (all for West Coast Ensemble). The Break
Up Notebook, Mommy Mommy the Musical Musical (Hudson), Infinite
Black Suitcase, The Car Plays (Moving Arts), The Resistible
Rise of Arturo Ui (Classic Theatre Lab), The Memorandum
(Odyssey), All Soul’s Trilogy (Playwright’s Arena),
Sleeping With the Ambassador (Collage Dance Theatre), What’s
Wrong with Angry (Celebration - GLAAD Nomination). Film: 29th
and Gay, Rapid Guy Movement, Spanish Fly, Out
on a Holiday. TV: You may have seen Brian making over fashion victims
on the Style network’s How Do I Look?. Brian has an MFA
from CalArts. Mr Weir is always honored to work with Mark, Katharine
and the incredibly talented folks at Ghost Road. |
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| RONALD E. WINGATE <Back to Top> | ||||||||
Ronald
E. Wingate Jr. joined the company after playing "STARK" in its
production of Cody Henderson's Carrots For Hare. Ron was also Assistant
Director on Clyt at Home: The Clytemnestra Project. He is excited to be
able to participate in and explore the art of theatre utilizing his love
for life, stories, the eclectic, and the collaborative process. Ron has
taught, written, and directed at Lansing Community College in his hometown
of Lansing, MI. He is a graduate of St.John's College in Annapolis MD
where he received a B.A. in Classical Literature and Philosophy and the
California Institute of the Arts where he received his MFA in Theatre. |
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| JACQUELINE WRIGHT <Back to Top> | ||||||||
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Jacqueline Wright is a graduate of California Institute of the Arts and a member of Ghost Road Company, Theatre of NOTE and the Ensemble Studio Theatre. After graduation, Jacqueline teamed up with Ghost Road and played Electra in Electra La La, an adaptation of Sophocles' Electra. Ghost Road's Electra La La premiered in Los Angeles. Then the production went on to the Edinburgh, Scotland Theatre Fringe Festival. Jacqueline won the ADA Award for Best Supporting Actress for her performance in Eastern Standard. She has also worked with senior citizens in the project, Living Histories, for the Santa Clarita Repertory Theatre. In this project, actor/playwrights were paired with a senior citizen to create and perform a dramatic piece based on their life. At Theatre of NOTE, Jacqueline played the role of Richard in NOTE's production of Richard III directed by Christopher Kelley. Other notable acting credits include performances at ASK's Common Ground Festival and Theatre of NOTE as Clytemnestra in Ghost Road and NOTE's co-production of Clyt At Home: The Clytemnestra Project for which she received the LA Weekly performance award, Amelia in EST-The LA Projects first Los Angeles production And Still the Dogs. As a playwright, her one-woman show, The Mis-Adventures of Penelope written and performed by Wright was seen at HBO's U.S. Comedy Arts Festival in Aspen. Her play Eat Me was presented at the Ensemble Studio Theatre in Los Angeles and New York. Another play, Bing was produced at Theatre of NOTE in 2001 and her newest play Buddy/Buddette was workshopped through EST produced in Summer 2003. |
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CHARLES ERVEN <Back to Top> |
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Charles Erven is an Associate Professor in theatre at Loyola Marymount University and a professional scenographer. In Los Angeles he has designed sets for Happy End at the Pacific Resident Theatre, The Foreigner, Far Away and Buddha's Big Nite at the Odyssey Theatre Ensemble and Becoming Eleanor at the Long Beach Playhouse. He has also designed extensively in the Milwaukee/Chicago area and throughout the United States including New York, Colorado and The Virgin Islands. His work has been seen in Tashkent, Uzbekistan, Moscow and St. Petersburg, Russia, Tbilisi, Georgia and Aberystwyth, Wales. He has organized numerous student production tours to Central Asia, Russia, Eastern Europe and the British Isles. In spring 2005 he will be on a sabbatical supported by a Fulbright Senior Specialist Grant to teach at the Czech Academy of Arts and will work with Warner en Consortien, a performance group in Amsterdam. |
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SARA LOE <Back to Top> |
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Sara Loe, an architect, is currently employed at USC School of Architecture where she is serving as the Assistant Director of the Master of Architecture Programs. In addition to teaching, she has collaborated on several projects since returning to Los Angeles in 1999 including a study of Charles Moore's Faculty Club at UC Santa Barbara with Tomko Woll Group Architects and the design development of the Madison Site Theater for Santa Monica City College with Renzo Zecchetto Architects. Prior to moving to Los Angeles, M. Loe was a Project Manager with Venturi Scott Brown & Associates in Philadelphia where she worked on a master planning study for a Theater and Fine Arts building at Franklin & Marshall College and acted as Project Architect during the construction of the Gonda (Goldschmied) Neuroscience Laboratory at UCLA. In addition, she has worked with Moore Ruble Yudell Architects & Planners in Santa Monica on their Maryland Center for the Performing Arts and Anshen + Allen Architects in San Francisco on various institutional projects. Ms. Loe received her M Architecture I from UCLA and her BA from St. Olaf College in Minnesota. |
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